ACLS Humanities E-Book: The films of Mike Leigh: embracing the world

The films of Mike Leigh: embracing the world

Carney, Raymond., Quart, Leonard.

Year: 2000.

Publisher: Cambridge University Press.

Publisher's Website

For full access to this item, please Login

table of contents

Frontmatter

Editorial Note

Acknowledgments

Biographical and Cultural Introduction

1 Stylistic Introduction: Living beyond Consciousness

2 Fictitious Selves: Bleak Moments

3 Personal Freezing and Stylistic Melting: Hard Labour

4 Existence without Essences: The Kiss of Death

5 Defeating Systems of Knowing: Nuts in May

6 Losing Track of Who You Are: Abigail's Party

7 We Are the Hollow Men: Who's Who

8 Inhabiting Otherness: Grown-Ups

9 Manufactured Emotions: Home Sweet Home

10 Challenging Easy Understandings: Meantime

11 Holding Experience Loosely: High Hopes

12 Circulation Is the Law of Life: Life Is Sweet

13 Desperate Lives: Naked

Epilogue: The Feel of Life

Notes

Filmography

Bibliography

Index

reviews

catalog record

Title:

The films of Mike Leigh : embracing the world / Ray Carney, with contributions by Leonard Quart.

Author:

Carney, Raymond; Quart, Leonard

Extent:

600dpi TIFF G4 page images

E-Distribution Information:

University of Michigan Library, Scholarly Publishing Office
Ann Arbor, Michigan
Permission must be received for any subsequent distribution in print or electronically. Please contact info@hebook.org for more information.

Source Version:

The films of Mike Leigh : embracing the world / Ray Carney, with contributions by Leonard Quart.
Carney, Raymond, Quart, Leonard
Cambridge, UK: Cambridge University Press, 2000.

URL:

http://hdl.handle.net/2027/heb.07619

Subject Headings:

• Leigh, Mike, -- 1943- -- Criticism and interpretation

Note:

• Electronic access restricted; authentication may be required

Encoding Description:

Project Description:
	Header created via MARC-to-XML-to-TEI transformation on 2011-06-23
Editorial Declaration:
	This electronic text file was created by Optical Character Recognition (OCR). No corrections have been made to the OCR-ed text and no editing has been done to the content of the original document. Encoding has been done through automated and manual processes using the recommendations for Level 2 of the TEI in Libraries Guidelines. Digital page images are linked to the text file.