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Frontmatter
Preface and acknowledgements
1 Dvořák and the cello
2 Preludes to the Concerto
3 The Concerto and Dvořák's 'American manner'
4 'Decisions and revisions': sketch and compositional process
5 The score I: forms and melodies
6 The score II: interpretations
7 Performers and performances
Notes
Select bibliography
Select discography
Index
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