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Frontmatter
Acknowledgements
Introduction Musical character and a theory of musical rhetoric
1 Holst and the two Londons
2 Genesis
3 Reception
4 The character plots (1); Mars to Mercury
5 The character plots (2): Jupiter to Neptune
6 On becoming The Planets: the overall design
Epilogue
Appendices
1 Holst's public performances, 1908-21
2 Comparison of tempos in selected recordings of The Planets
Notes
Select bibliography
Index
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