ACLS Humanities E-Book: Caravaggio and his copyists

Caravaggio and his copyists

Moir, Alfred.

Year: 1976.

Publisher: New York University Press.

Publisher's Website

For full access to this item, please Login

table of contents

Frontmatter

Preface

List of Illustrations

I. When, Where, How, and Why Copies after Caravaggio Came into Being, Who Made Them, and What Happened to Them

II. Copies as a Means of Authentication

III. Copies as a Mark of Taste

IV. Variants

V. Literary Sources

VI. Concluding Remarks

Addenda

Text Notes

Appendix I. Caravaggio's Oeuvre and Its Copies

Part A: Existing Autograph Paintings

Part B: Lost Paintings

Part C: Doubtful Attributions

Part D: Paintings Not by Caravaggio

Part E: Works Not Considered

Notes on Appendix I

Appendix II. Numerical Computations

Appendix III. Scale of Originals; Numbers and Scale of Copies

Bibliography

Illustrations

reviews

catalog record

Title:

Caravaggio and his copyists : by Alfred Moir.

Author:

Moir, Alfred

Extent:

600dpi TIFF G4 page images

E-Distribution Information:

University of Michigan Library, Scholarly Publishing Office
Ann Arbor, Michigan
Permission must be received for any subsequent distribution in print or electronically. Please contact info@hebook.org for more information.

Source Version:

Caravaggio and his copyists : by Alfred Moir.
Moir, Alfred
New York: New York University Press, 1976.

URL:

http://hdl.handle.net/2027/heb.04013

Subject Headings:

• Caravaggio, Michelangelo Merisi da, -- 1573-1610 -- Influence
• Art, Modern -- 17th century
• Art, Modern -- 18th century
• Art, Modern -- 19th century
• Pictures -- Copying
• Art -- Attribution

Note:

• Electronic access restricted; authentication may be required

Encoding Description:

Project Description:
	Header created via MARC-to-XML-to-TEI transformation on 2011-06-23
Editorial Declaration:
	This electronic text file was created by Optical Character Recognition (OCR). No corrections have been made to the OCR-ed text and no editing has been done to the content of the original document. Encoding has been done through automated and manual processes using the recommendations for Level 2 of the TEI in Libraries Guidelines. Digital page images are linked to the text file.