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Listening in Paris: a cultural history
Johnson, James H., 1960-
Year: c1995.
Publisher:  University of California Press. 
© University of California Press
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table of contents
Frontmatter
Illustrations
List of Musical Examples
Acknowledgments
Introduction
1. The Rendezvous of the Rich
1. Opera as Social Duty
2. Expression as Imitation
2. A Sensitive Public
3. Tears and the New Attentiveness
4. Concerts in the Old Regime
5. Harmony's Passions and the Public
3. The Exaltation of the Masses
6. Entertainment and the Revolution
7. Musical Experience of the Terror
8. Musical Expression and Jacobin Ideology
Epilogue to Part Three: Thermidor and the Return of Entertainment
4. Respectability and the Bourgeoisie
9 Napoleon's Show
10. The Theatre Italien and Its Elites
11. The Birth of Public Concerts
12. In Search of Harmony's Sentiments
13. The Social Roots of Silence
5. The Musical Experience of Romanticism
14. Operatic Rebirth and the Return of Grandeur
15. Beethoven Triumphant
16. The Musical Experience of Romanticism
Afterword
Notes
Bibliography
Index
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catalog record
Title: Listening in Paris : a cultural history / James H. Johnson.
Author: Johnson, James H., 1960-
Extent: 600dpi TIFF G4 page images
E-Distribution Information: University of Michigan Library, Scholarly Publishing Office
Ann Arbor, Michigan
Permission must be received for any subsequent distribution in print or electronically. Please contact info@hebook.org for more information.
Source Version: Listening in Paris : a cultural history / James H. Johnson
Johnson, James H., 1960-
Berkeley: University of California Press, c1995.
URL: http://hdl.handle.net/2027/heb.00154
Subject Headings: • Music -- France -- History and criticism
• Music -- Social aspects
• Music appreciation
Notes: • Based on author's dissertation (doctoral)-- University of Chicago, 1988.
• Electronic access restricted; authentication may be required
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