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Frontmatter
INTRODUCTION
I "THEIR EXQUISITE PERFECTION ALMOST TRANSCENDS THE BOUNDS OF SOBER BELIEF"
II FIRST PORTRAITS AND FIRST GALLERIES
III THE ERA OF THE DAGUERREOTYPE
IV DAGUERREOTYPES AND THE PUBLIC
V DAGUERREOTYPY AT ITS ZENITH
VI PHOTOGRAPHY
VII THE AMBROTYPE
VIII THE FAMILY ALBUM
IX THE TINTYPE
X THE STEREOSCOPE
XI "BOSTON AS THE EAGLE AND THE WILD GOOSE SEE IT"
XII REAL AMATEURS
XIII CIVIL WAR PHOTOGRAPHERS
XIV PHOTOGRAPHING THE FRONTIER: FIRST PHASE
XV PHOTOGRAPHING THE FRONTIER: SECOND PHASE
XVI THE CABINET PHOTOGRAPH
XVII KURTZ, SARONY, AND MORA
XVIII A NEW AGE
XIX THE FLEXIBLE FILM
XX ZOOPRAXISCOPES AND LESS WORDY INNOVATIONS
XXI PHOTOGRAPHY AND THE PICTORIAL PRESS
APPENDIX
BIBLIOGRAPHY AND NOTES
INDEX TO ILLUSTRATIONS
TO TEXT AND NOTES
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Permanent URL for this title: http://hdl.handle.net/2027/heb.02296.0001.001 | ||
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