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Frontmatter
List of Illustrations
Acknowledgments
A Note on Transcription
PART I. Background
1. Doing an Ethnography of Poetry
2. Gabyilah: Ideologies of Tribalism, Language, and Poetry
3. The Social Production of Poetry
PART II. The System of Poetic Genres
4. The Bālah: Poem as Play
5. The Poetic Construction of Shelf
6. The Zāmil: Between Performance and Text-Utterance
7. Power, Poetry, and Persuasion
8. The Qaṣīdah: Individual Talent and the Cultural Tradition
9. Tribal Ideology, the State, and Communicative Practices
CONCLUSION: Poetry as Cultural Practice
APPENDIXES
A. Yemeni Tribal Arabic Phonology
B. A Linguistic Theory of Meter
C. Transcription of the Sample Bālah Poem
D. Transcription of the Sample Bālah Development Section
E. Transcription of al-Gharsi's Poem
F. Transcription of aṣ-Ṣūfī's Poem
G. Transcription of al-Maʿlah's Poem
Notes
Bibliography
Index
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Permanent URL for this title: http://hdl.handle.net/2027/heb.00222.0001.001 | ||
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