| Container / Location |
Title |
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Visual materials [series]:
The following items are housed in the Graphics Division: The "Cahill Collection," Easterly's Niagara Views, and two c. 1810 "Cries of London" prints (gingerbread seller, woven mat seller).
The following four maps have been transferred to the Map Division:
"The wonderground map of London Town" (1914), "Map of the United States to illustrate Olney's School Geography" (c. 1840), "Ornamental map of the United States and Mexico" (1848), "Perrine's new military map illustrating the seat of war" (1862).
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"Cahill Collection" [subseries]: Scope note: These daguerreotypes and ambrotypes were accessioned
as a set and are thought to have been the collection of (Sarah) Melinda Bailey Cahill and the Cahill family. Melinda was the sister of Margaret Bailey
Townshend. The family had as their portraitist Melinda’s brother-in-law, Thomas Easterly, but only the daguerreotypes bearing the characteristic "Easterly,
Artist" mats, or Easterly's handwriting on the verso, can be attributed to Easterly with absolute certainty. However, a number of the daguerreotypes of
unclear provenance bear the characteristics of Easterly’s work.
The Cahill collection and the Niagara views are housed in the Graphics Division.
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| Box 42 |
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#1 Mary Bailey, sixth-plate daguerreotype, unknown daguerreotypist, c. 1852 [EA-13] |
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#2 Mary Bailey, sixth-plate daguerreotype, Thomas M. Easterly (daguerreotypist), c. 1852 [EA-14] |
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#3 Mary Bailey, sixth-plate daguerreotype, Thomas M. Easterly (daguerreotypist), c. 1852 [EA-15] |
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#4 Mary Bailey, sixth-plate daguerreotype, Henry Long and Enoch Long (daguerreotypists), c. 1848-49 [EA-16] |
| Box 43 |
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#5 William F. Cahill, sixth-plate daguerreotype, Thomas M. Easterly (daguerreotypist), c. 1855 [EA-22] |
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#6 William F. Cahill, sixth-plate daguerreotype, J.J. Outley |
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(daguerreotypist), c. 1852 [EA-24] |
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#7 [Florence?] Cahill, sixth-plate daguerreotype, unknown daguerreotypist, c. 1862 [EA-30] |
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#8 [Florence?] Cahill, sixth-plate daguerreotype, unknown daguerreotypist, c. 1862 [EA-31] |
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#9 [Florence?] Cahill, sixth-plate ruby glass ambrotype, unknown photographer, c. 1862 [EA-33] |
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#10 [Florence?] Cahill, sixth-plate ruby glass ambrotype, unknown photographer, c. 1862[EA-34] |
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#11 [Paul?] Cahill, ninth-plate daguerreotype, unknown daguerreotypist, c. 1862 [EA-32] |
| Box 44 |
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#12 (Sarah) Melinda Bailey Cahill, sixth-plate daguerreotype, Thomas Easterly (daguerreotypist), c. 1850 [EA-3] |
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#13 (Sarah) Melinda Bailey Cahill, sixth-plate daguerreotype, perhaps Henry & Enoch Long (daguerreotypists), due to similarity in setting to #4, c. 1848-1849 [EA-17] |
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#14 (Sarah) Melinda Bailey Cahill, sixth-plate daguerreotype, unknown daguerreotypist, c. 1848-49 [EA-18] |
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#15 (Sarah) Melinda Bailey Cahill, sixth-plate daguerreotype, probably Thomas Easterly (daguerreotypist), due to similarities in dress and pose to #12, c. 1850 [EA-19] |
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#16 (Sarah) Melinda Bailey Cahill and infant, sixth-plate daguerreotype, unknown daguerreotypist, c. 1856 [EA-21] |
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#17 (Sarah) Melinda Bailey Cahill, sixth-plate daguerreotype in gutta-percha frame, unknown daguerreotypist, c. 1865 [EA-25] |
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#18 (Sarah) Melinda Bailey Cahill, sixth-plate daguerreotype, unknown daguerreotypist, c. 1865 [EA-26] |
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#19 (Sarah) Melinda Bailey Cahill, sixth-plate daguerreotype, unknown daguerreotypist, c. 1865 [EA-27] |
| Box 45 |
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#20 (Anna) Miriam Bailey Easterly, sixth-plate daguerreotype, possibly Henry and Enoch Long, due to similarity of paper covering on back of frame to #4, c. 1848-1849 [EA-4] |
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#21 (Anna) Miriam Bailey Easterly, sixth-plate daguerreotype with applied color, Thomas Easterly (daguerreotypist), August 1849. Behind daguerreotype is written, "Equal’d by few." Written on each of four edges of seal on backside of daguerreotype is: "T.M. Easterly" / "Daguerrean" / "St. Louis, MO" / " August 1849" [EA-5] |
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#22 (Anna) Miriam Bailey Easterly, sixth-plate daguerreotype, Thomas Easterly (daguerreotypist), c. 1849. Inside case, behind daguerreotype is a "T. M. Easterly Daguerrean Artist" printed newspaper advertisement [EA-6] |
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#23 (Anna) Miriam Bailey Easterly (possibly in wedding attire), sixth-plate daguerreotype, Thomas Easterly (daguerreotypist), c. 1850 [EA-7] |
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#24 (Anna) Miriam Bailey Easterly, sixth-plate daguerreotype, Thomas Easterly (daguerreotypist), c. 1854 [EA-8] |
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#25 (Anna) Miriam Bailey Easterly with sewing basket, sixth-plate daguerreotype, Thomas Easterly, c. 1860 [EA-9] |
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#26 (Anna) Miriam Bailey Easterly, sixth-plate daguerreotype, Thomas Easterly, c. 1865 [EA-10] |
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#27 (Anna) Miriam Bailey Easterly, sixth-plate daguerreotype, Thomas Easterly (daguerreotypist), c. 1852 [EA-20] |
| Box 46 |
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#28 Margaret Ann Bailey Townshend, sixth-plate daguerreotype, unknown daguerreotypist, c. 1850 [EA-11] |
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#28 Norton Strange Townshend, sixth-plate ruby glass ambrotype, unknown photographer, c. 1861 [EA-12] |
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#29 Norton Strange Townshend, quarter-plate daguerreotype, Thomas Easterly (daguerreotypist), c. 1865 [no EA number] |
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#30 Case containing portraits of (clockwise from top left): (Anna) Miriam Bailey Easterly, Thomas Easterly, (Sarah) Melinda Bailey Cahill, and Mary Bailey, daguerreotypes, Thomas Easterly (daguerreotypist), c. 1850 [EA-1] |
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#31 Case containing portraits of Thomas Easterly and (Anna) Miriam Bailey Easterly, daguerreotypes, Thomas Easterly (daguerreotypist), c. 1850 [EA-2] |
| Box 47 |
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#32 Unidentified man (possibly William Frank Cahill), quarter-plate tintype in gutta-percha frame, unknown photographer, c. 1865 [EA-23] |
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#33 Unidentified young woman in Easterly’s studio chair, sixth-plate daguerreotype, Thomas Easterly (daguerreotypist), c. 1865 [EA-28] |
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#34 Unidentified young man, sixth-plate daguerreotype, unknown daguerreotypist, c. 1850 [EA-29] |
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#35 Unidentified little girl, sixth-plate ruby glass ambrotype, unknown photographer [EA-35] |
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#36 Unidentified little girl, sixth-plate ruby glass ambrotype, unknown photographer [EA-36] |
| Box 48 |
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Four views of Niagara (clockwise from left: "Rapids Above Niagara Falls," "Niagara," "Niagara," and "Table Rocks") in one frame, Thomas Easterly (daguerreotypist), c. 1853 |
| Box 49 |
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Photographs [subseries]: |
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Family album, c. 1875 May have belonged to Sarah Melinda Cahill, Margaret Townshend’s sister |
| Box 50 |
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Wing albums |
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1907 |
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1907 |
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c. 1908 |
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1909 |
| Box 51 |
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1910 |
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1913 |
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1913 |
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1913 |
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1914 |
| Box 52 |
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1916 |
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1916 |
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c. 1917 |
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1918 |
| Box 53 |
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Margaret Bailey Townshend album, c. 1890 |
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Donaghue Family album, c. 1900 |
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Unbound paper photographs |
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Bailey, Mary |
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Boyntons |
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Cahill, Miriam |
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Cahill, Sarah Melinda (Bailey) |
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Dodge, Homer L. |
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Dodge, Isabella (Donaghue) |
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Dodge, Margaret (Wing) |
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Dodge, Homer and Margaret |
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Other Dodges |
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Dodge Groups |
| Box 54 |
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Donaghues |
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Drummond, Grace (Greenleaf) |
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Easterly, Thomas |
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Faxon, Belle |
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Greenleaf, Florence Cahill |
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Thanbyah, Moung |
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Townshend, Bailey |
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Townshend, Harriet Norton
(5 folders) |
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Townshend, James |
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Townshend, James children |
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Townshend, Margaret Bailey |
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Townshend, Norton
(3 folders) |
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Townshend Groups
(6 folders) |
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Wallace, Alice Dodge |
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Wiggins, "Blind Tom" |
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Wing, Alice Townshend
(3 folders) |
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Wing, Charles M.
(3 folders)
One photograph is located in Oversize.
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Wing, Lucius Bliss |
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Wing, Mary Mayhew
(2 folders) |
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Wing, Shirley |
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Wings--Other |
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Townshend animals |
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Northamptonshire |
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Family graves |
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Homes
(3 folders)
Two photographs of unidentified Dodge homes are located in Oversize
|
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Landscapes |
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Non-family |
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Unidentified
(5 folders) |
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Miscellaneous
(3 folders) |
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Negatives |
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Other visual materials |
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Miscellaneous
(8 folders) |
| Box 55 |
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Boxed daguerreotypes and photographs |
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#1 Norton Strange Townshend, daguerreotype, c. 1843 (case made by Matthew Brady) |
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#2 James Houghton Townshend, daguerreotype, c. 1850 |
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#3 Norton Strange Townshend, ambrotype, c. 1861 |
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#4 Glass plate and metal frame (no image) |
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#5 Florence Cahill Greenleaf, framed albumen print, c. 1875 |
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#6 Alice Townshend Wing as a baby, ambrotype, c. 1860 |
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#7 Charles Mayhew Wing, ambrotype, c. 1863 |
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#8 Charles Mayhew Wing, tintype, c. 1865 |
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#9 Charles Mayhew Wing, ambrotype, c. 1859 |
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#10 Norton Strange Townshend and Harriet Wood Townshend, daguerreotypes, c. 1850 |
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#11 Three unidentified young boys, daguerreotype, c. 1850s |
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#12 Children of Norton S. Townshend and Margaret Bailey Townshend, tintype, c. 1863 |
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#13 James Houghton Townshend as a boy, ambrotype, c. 1860 (includes two small tintypes) |
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#14 Margaret Bailey Townshend, ambrotype, c. 1860 |
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#15 Unidentified young boy, tintype, c. 1860 |
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#16 Unidentified young man, ambrotype, 1858 |
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#17 Lock of Arthur Smith Townshend’s hair, c. 1849 |
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#18 Lock of Mary Florence Cahill Greenleaf’s hair, c. 1860s |
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#19 Unidentified soldier (possibly a Wing relative), cased tintype, c. 1855-1865 |
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#20 Unidentified man in uniform, ruby-glass ambrotype, c. 1850s-1860s |
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#21 Unidentified middle-aged woman, ambrotype, c. 1856-1860 |
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#22 Unidentified man and woman, tintype, c. 1865 |
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#23 Unidentified man in uniform, tintype, c. 1860 |
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#24 Unidentified man, cased tintype, c. 1865-1870 |
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#25 Unidentified man and woman, cased tintype, c. 1870 |
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#26 Framed carte de visite of Harriet Norton Townshend, c. 1864 |
