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Check for portfolio Record Filename ID Article Title Issue Title Citation Caption Author Page Number Article Link Volume Date Number
Full Record: x-03115-und-09/03115_09

03115_09

03115_09

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Indian (Rajasthan, Kotah School). Adoration of Shri Nathji, ca. 1830. Ink, opaque watercolor, and gold on paper, 25 x 21 cm. Museum purchase made possible by Shahid and Takako Jamil, and the Margaret Watson Parker Art Collection Fund, 2003/2.9

139

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2003-2004

Full Record: x-03115-und-10/03115_10

03115_10

03115_10

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Car Hood, Ontario, 1982. Gelatin silver print, 33.4 x 25.8 cm.

Gift of Beverly Franzblau Baker in memory of Morris D. Baker, 2003/2.6

140

15

2003-2004

Full Record: x-03115-und-11/03115_11

03115_11

03115_11

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Goldin, Nan, American, born 1953. Simon on the Subway, NYC, 1998. Cibachrome print, 33 x 48.9 cm. Museum purchase made possible by the Jean Paul Slusser Memorial Fund, 2004/1.157

142

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2003-2004

Full Record: x-03115-und-12/03115_12

03115_12

03115_12

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Nagatani, Patrick, American, born 1945. Japanese Children’s Day Camp Banners, Paguate Village, Jackpile Mine, Uranium Tailings, Laguna Pueblo Reservation, New Mexico, 1990. Ilfochrome print, 41 x 51 cm. Gift of Beverly Franzblau Baker in memory of Morris D. Baker, 2004/1.106

143

15

2003-2004

Full Record: x-03115-und-13/03115_13

03115_13

03115_13

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Bellows, George Wesley, American, 1882-1925. Portrait of Eugene Speicher, 1923-1924. Lithograph, 32 x 24.5 cm.

Gift of Gilbert M. Frimet, 2004/1.121

144

15

2003-2004

Full Record: x-03115-und-14/03115_14

03115_14

03115_14

Accessions to the Collection: July 2003-June 2004: The University of Michigan Museum of Art

Indian (Rajasthan or Gujarat). Jain column, 12th-13th century. Marble, 78.3 cm . Museum purchase made possible by the Margaret Watson Parker Art Collection Fund, 2004/1.151

148

15

2003-2004

Full Record: x-05101-und-01/05101_01

05101_01

05101_01

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Fig. 1. Schematic plan of Pisidian. Antioch. Drawing by the author, after Cowell et al. unpublished and Taşlıalan et al. 2003, fig. 2.

Adrian Ossi

5

16

2005-2006

Full Record: x-05101-und-02/05101_02

05101_02

05101_02

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives

Fig. 2. Frederick J. Woodbridge, Measured plan of the eastern part of the Tiberia Platea, 1924, pencil on paper.

Adrian Ossi

11

16

2005-2006

Full Record: x-05101-und-03/05101_03

05101_03

05101_03

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives.

Fig. 3. Frederick J. Woodbridge, Examples of portraits sketched in the corner of a measured plan, 1924, pencil on paper.

Adrian Ossi

12

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2005-2006

Full Record: x-05101-und-04/05101_04

05101_04

05101_04

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives

Fig. 4. Horace F. Colby or Frederick J. Woodbridge, Sketch of a marble head of Augustus with restored nose, 1924, pencil on paper.

Adrian Ossi

12

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2005-2006

Full Record: x-05101-und-05/05101_05

05101_05

05101_05

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives

Fig. 5. Frederick J. Woodbridge, The main entablature of the city gate and the capital of a Corinthian pilaster, 1924, pencil on paper.

Adrian Ossi

13

16

2005-2006

Full Record: x-05101-und-06/05101_06

05101_06

05101_06

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives

Fig. 6. Frederick J. Woodbridge, Axonometric sketch of architectural members from the city gate, 1924, pencil on paper.

Adrian Ossi

13

16

2005-2006

Full Record: x-05101-und-07/05101_07

05101_07

05101_07

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives

Fig. 7. Frederick J. Woodbridge, Preliminary reconstruction of the city gate as a single-bayed arch, 1924, pencil on paper.

Adrian Ossi

14

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2005-2006

Full Record: x-05101-und-08/05101_08

05101_08

05101_08

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives

Fig. 8. Frederick J. Woodbridge, Sketch of the elevation of the city gate and surrounding structures, 1924, pencil on paper.

Adrian Ossi

15

16

2005-2006

Full Record: x-05101-und-09/05101_09

05101_09

05101_09

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives

Fig. 9. Frederick J. Woodbridge, Restored plan of the city gate and surrounding structures, including the semicircular fountain to the north, 1924, ink on paper.

Adrian Ossi

16

16

2005-2006

Full Record: x-05101-und-10/05101_10

05101_10

05101_10

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives

Fig. 10. Frederick J. Woodbridge, Preliminary sketch of the city gate and surrounding structures, 1924, pencil on paper.

Adrian Ossi

16

16

2005-2006

Full Record: x-05101-und-11/05101_11

05101_11

05101_11

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives

Fig. 11. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, 1925, ink and wash on paper.

Adrian Ossi

17

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2005-2006

Full Record: x-05101-und-12/05101_12

05101_12

05101_12

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Photographic Archives of the American Academy in Rome,

AAR.FW.A.Woodbridge.737.

Fig. 12. Frederick J. Woodbridge, Horrea Epagathiana et Epaphroditiana in Urbe Ostia, front elevation, 1924, ink and wash on paper.

Adrian Ossi

18

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2005-2006

Full Record: x-05101-und-13/05101_13

05101_13

05101_13

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives

Fig. 13. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, detail. 1925, ink and wash on paper.

Adrian Ossi

19

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2005-2006

Full Record: x-05101-und-14/05101_14

05101_14

05101_14

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Photographic Archives of the American Academy in Rome, AAR.FW.Exh.1925.819.

Fig. 14. Exhibition at the American Academy in Rome, 1925. Woodbridge’s Restored elevation of a triumphal arch at Antioch of Pisidia is displayed between the windows on the right wall.

Adrian Ossi

20

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2005-2006

Full Record: x-05101-und-15/05101_15

05101_15

05101_15

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives

Fig. 15. Frederick J. Woodbridge, Restored elevation sketch of a bracket from the city gate, detail, showing the different decorative treatments of the two types of bracket discovered, 1924, pencil on paper.

Adrian Ossi

21

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2005-2006

Full Record: x-05101-und-16/05101_16

05101_16

05101_16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives

Fig. 16. Frederick J. Woodbridge, Full size profiles from Antioch of Pisidia, 1924, ink on paper.

Adrian Ossi

22

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2005-2006

Full Record: x-05101-und-17/05101_17

05101_17

05101_17

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives

Fig. 17. Frederick J. Woodbridge, Detail of the mosaic pavement of the basilica, 1924, ink on paper.

Adrian Ossi

22

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2005-2006

Full Record: x-05101-und-18/05101_18

05101_18

05101_18

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives

Fig. 18. Frederick J. Woodbridge, Restored elevation of the temple of Augustus and its surrounding colonnade, 1971, pencil on paper.

Adrian Ossi

22

16

2005-2006

Full Record: x-05101-und-19/05101_19

05101_19

05101_19

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives

Fig. 19. Frederick J. Woodbridge, Restored elevation of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

Adrian Ossi

23

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2005-2006

Full Record: x-05101-und-20/05101_20

05101_20

05101_20

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives

Fig. 20. Frederick J. Woodbridge, Restored plan and section of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

Adrian Ossi

24

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2005-2006

Full Record: x-05101-und-21/05101_21

05101_21

05101_21

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Kelsey Museum Archives, 7.1113.

Fig. 21. George R. Swain, Stone pavement of the Tiberia Platea and the adjacent staircase after excavation in 1924.

Adrian Ossi

25

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2005-2006

Full Record: x-05102-und-01/05102_01

05102_01

05102_01

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 1. Jacques Callot, Enlisting of the Troops, no. 2 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.355.

Katie Hornstein

29

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2005-2006

Full Record: x-05102-und-02/05102_02

05102_02

05102_02

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 2. Jacques Callot, The Battle, no. 3 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.356.

Katie Hornstein

36

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2005-2006

Full Record: x-05102-und-03/05102_03

05102_03

05102_03

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 3. Jacques Callot, The Plundering, no. 4 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.357.

Katie Hornstein

36

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2005-2006

Full Record: x-05102-und-04/05102_04

05102_04

05102_04

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 4. Jacques Callot, Plundering of a Farm, no. 5 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.358.

Katie Hornstein

37

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2005-2006

Full Record: x-05102-und-05/05102_05

05102_05

05102_05

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 5. Detail of fig. 4.

Katie Hornstein

37

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2005-2006

Full Record: x-05102-und-06/05102_06

05102_06

05102_06

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 6. Jacques Callot, Destruction of a Monastery, no. 6 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.371.

Katie Hornstein

39

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2005-2006

Full Record: x-05102-und-07/05102_07

05102_07

05102_07

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 7. Jacques Callot, Attack of the Coach, no. 8 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.360.

Katie Hornstein

39

16

2005-2006

Full Record: x-05102-und-08/05102_08

05102_08

05102_08

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 8. Jacques Callot, The Strappado, no. 10 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.362.

Katie Hornstein

41

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2005-2006

Full Record: x-05102-und-09/05102_09

05102_09

05102_09

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 9. Jacques Callot, The Hangman’s Tree, no. 11 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.363.

Katie Hornstein

41

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2005-2006

Full Record: x-05102-und-10/05102_10

05102_10

05102_10

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 10. Jacques Callot, The Hospital, no. 15 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.367.

Katie Hornstein

42

16

2005-2006

Full Record: x-05102-und-11/05102_11

05102_11

05102_11

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 11. Jacques Callot, Dying by the Roadside, no. 16 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.368.

Katie Hornstein

43

16

2005-2006

Full Record: x-05102-und-12/05102_12

05102_12

05102_12

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 12. Jacques Callot, The Peasants Revolt, no. 17 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.369.

Katie Hornstein

43

16

2005-2006

Full Record: x-05102-und-13/05102_13

05102_13

05102_13

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 13. Jacques Callot, Distribution of Rewards, no. 18 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.370.

Katie Hornstein

45

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2005-2006

Full Record: x-05103-und-01/05103_01

05103_01

05103_01

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Fig. 1. Eugène Atget, Worker’s Interior, Rue de Romainville (Intérieur ouvrier, rue de Romainville), image from page 28 of the album Intérieurs Parisiens. This version is one photograph of a portfolio of 20 printed by Berenice Abbott from glass negatives made by Atget. Gold-toned gelatin silverprint, University of Michigan Museum of Art, 1974/1.109.

Katie Hartsough Brion

49

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2005-2006

Full Record: x-05103-und-02/05103_02

05103_02

05103_02

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

© Photothèque des musées de la ville de Paris / Cliché inconnu.

Fig. 2. Eugène Atget, Interior of a Dramatic Artist, Rue Vavin (Intérieur d’un artiste dramatique, rue Vavin), 1910, photograph (printed on albumin paper) inset into the first page of the Musée Carnavalet’s version of the album Intérieurs Parisiens.

Katie Hartsough Brion

61

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2005-2006

Full Record: x-05103-und-03/05103_03

05103_03

05103_03

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Fig. 3. Eugène Atget, Interior of Mr. R, Dramatic Artist, Rue Vavin (Intérieur de Monsieur R, artiste dramatique, rue Vavin), 1910, page 3 of the album.

Katie Hartsough Brion

63

16

2005-2006

Full Record: x-05103-und-04/05103_04

05103_04

05103_04

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Fig. 4. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 39 of the album.

Katie Hartsough Brion

65

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2005-2006

Full Record: x-05103-und-05/05103_05

05103_05

05103_05

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Fig. 5. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 41 of the album.

Katie Hartsough Brion

66

16

2005-2006

Full Record: x-05103-und-06/05103_06

05103_06

05103_06

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Fig. 6. Eugène Atget, The Living Room of Mrs. C, Hatmaker, Place St. André des Arts (Le Salon de Madame C, Modiste, Place St André des arts), 1910, page 17 of the album.

Katie Hartsough Brion

68

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2005-2006

Full Record: x-05103-und-07/05103_07

05103_07

05103_07

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Fig. 7. Dornac and Cie, Edouard Pailleron (from the series “Nos contemporains chez eux”), ca. 1890, photograph printed on albumen paper and mounted on cardboard. Bibliothèque nationale de France, Paris.

Katie Hartsough Brion

70

16

2005-2006

Full Record: x-05104-und-01/05104_01

05104_01

05104_01

A Silver Stater from Metapontum, Italy, in the Kelsey Museum

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

Lyra D. Monteiro

76

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2005-2006

Full Record: x-05105-und-01/05105_01

05105_01

05105_01

A Campanian Red-figure Fish-plate in the Kelsey Museum

Red-figure fish-plate. Campania, Italy, late fourth century BCE. Fired clay, 5 ˙ 19.5 cm. Gift from W. Dennison, 1899, from the collection of Canon Giuseppe de Crisco, Kelsey Museum 1084

Lori Khatchadourian

80

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2005-2006

Full Record: x-05106-und-01/05106_01

05106_01

05106_01

A Bronze Coin from Eleusis in the Kelsey Museum

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

Alexander Nagel

84

16

2005-2006