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Fig. 15. Frederick J. Woodbridge, Restored elevation sketch of a bracket from the city gate, detail, showing the different decorative treatments of the two types of bracket discovered, 1924, pencil on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Filename: 05101_15
Volume: 16
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Date: 2005-2006
Citation: Kelsey Museum Archives
Author: Adrian Ossi
Page Number: 21
Caption: Fig. 15. Frederick J. Woodbridge, Restored elevation sketch of a bracket from the city gate, detail, showing the different decorative treatments of the two types of bracket discovered, 1924, pencil on paper.
ID: 05101_15

Fig. 16. Frederick J. Woodbridge, Full size profiles from Antioch of Pisidia, 1924, ink on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Filename: 05101_16
Volume: 16
Date: 2005-2006
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Author: Adrian Ossi
Page Number: 22
Citation: Kelsey Museum Archives
ID: 05101_16
Caption: Fig. 16. Frederick J. Woodbridge, Full size profiles from Antioch of Pisidia, 1924, ink on paper.

Fig. 17. Frederick J. Woodbridge, Detail of the mosaic pavement of the basilica, 1924, ink on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

ID: 05101_17
Caption: Fig. 17. Frederick J. Woodbridge, Detail of the mosaic pavement of the basilica, 1924, ink on paper.
Page Number: 22
Author: Adrian Ossi
Citation: Kelsey Museum Archives
Date: 2005-2006
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Volume: 16
Filename: 05101_17

Fig. 18. Frederick J. Woodbridge, Restored elevation of the temple of Augustus and its surrounding colonnade, 1971, pencil on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Citation: Kelsey Museum Archives
Page Number: 22
Author: Adrian Ossi
Caption: Fig. 18. Frederick J. Woodbridge, Restored elevation of the temple of Augustus and its surrounding colonnade, 1971, pencil on paper.
ID: 05101_18
Volume: 16
Filename: 05101_18
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Date: 2005-2006

Fig. 19. Frederick J. Woodbridge, Restored elevation of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Date: 2005-2006
Volume: 16
Filename: 05101_19
Caption: Fig. 19. Frederick J. Woodbridge, Restored elevation of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.
ID: 05101_19
Citation: Kelsey Museum Archives
Page Number: 23
Author: Adrian Ossi

Fig. 20. Frederick J. Woodbridge, Restored plan and section of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Citation: Kelsey Museum Archives
Page Number: 24
Author: Adrian Ossi
Caption: Fig. 20. Frederick J. Woodbridge, Restored plan and section of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.
ID: 05101_20
Filename: 05101_20
Volume: 16
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Date: 2005-2006

Fig. 21. George R. Swain, Stone pavement of the Tiberia Platea and the adjacent staircase after excavation in 1924.; Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Caption: Fig. 21. George R. Swain, Stone pavement of the Tiberia Platea and the adjacent staircase after excavation in 1924.
ID: 05101_21
Citation: Kelsey Museum Archives, 7.1113.
Page Number: 25
Author: Adrian Ossi
Article Title: Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge
Date: 2005-2006
Volume: 16
Filename: 05101_21

Fig. 1. Jacques Callot, Enlisting of the Troops, no. 2 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.355.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Volume: 16
Filename: 05102_01
Date: 2005-2006
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Author: Katie Hornstein
Page Number: 29
ID: 05102_01
Caption: Fig. 1. Jacques Callot, Enlisting of the Troops, no. 2 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.355.

Fig. 2. Jacques Callot, The Battle, no. 3 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.356.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Volume: 16
Filename: 05102_02
Date: 2005-2006
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Author: Katie Hornstein
Page Number: 36
ID: 05102_02
Caption: Fig. 2. Jacques Callot, The Battle, no. 3 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.356.

Fig. 3. Jacques Callot, The Plundering, no. 4 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.357.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Date: 2005-2006
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Filename: 05102_03
Volume: 16
ID: 05102_03
Caption: Fig. 3. Jacques Callot, The Plundering, no. 4 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.357.
Author: Katie Hornstein
Page Number: 36

Fig. 4. Jacques Callot, Plundering of a Farm, no. 5 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.358.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Author: Katie Hornstein
Page Number: 37
Caption: Fig. 4. Jacques Callot, Plundering of a Farm, no. 5 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.358.
ID: 05102_04
Volume: 16
Filename: 05102_04
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Date: 2005-2006

Fig. 5. Detail of fig. 4.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Date: 2005-2006
Filename: 05102_05
Volume: 16
Caption: Fig. 5. Detail of fig. 4.
ID: 05102_05
Author: Katie Hornstein
Page Number: 37

Fig. 6. Jacques Callot, Destruction of a Monastery, no. 6 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.371.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Author: Katie Hornstein
Page Number: 39
ID: 05102_06
Caption: Fig. 6. Jacques Callot, Destruction of a Monastery, no. 6 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.371.
Filename: 05102_06
Volume: 16
Date: 2005-2006
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 7. Jacques Callot, Attack of the Coach, no. 8 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.360.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Volume: 16
Filename: 05102_07
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Date: 2005-2006
Author: Katie Hornstein
Page Number: 39
Caption: Fig. 7. Jacques Callot, Attack of the Coach, no. 8 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.360.
ID: 05102_07

Fig. 8. Jacques Callot, The Strappado, no. 10 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.362.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Caption: Fig. 8. Jacques Callot, The Strappado, no. 10 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.362.
ID: 05102_08
Author: Katie Hornstein
Page Number: 41
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Date: 2005-2006
Volume: 16
Filename: 05102_08

Fig. 9. Jacques Callot, The Hangman’s Tree, no. 11 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.363.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Volume: 16
Filename: 05102_09
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Date: 2005-2006
Author: Katie Hornstein
Page Number: 41
Caption: Fig. 9. Jacques Callot, The Hangman’s Tree, no. 11 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.363.
ID: 05102_09

Fig. 10. Jacques Callot, The Hospital, no. 15 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.367.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Date: 2005-2006
Volume: 16
Filename: 05102_10
Caption: Fig. 10. Jacques Callot, The Hospital, no. 15 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.367.
ID: 05102_10
Page Number: 42
Author: Katie Hornstein

Fig. 11. Jacques Callot, Dying by the Roadside, no. 16 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.368.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Page Number: 43
Author: Katie Hornstein
ID: 05102_11
Caption: Fig. 11. Jacques Callot, Dying by the Roadside, no. 16 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.368.
Filename: 05102_11
Volume: 16
Date: 2005-2006
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Fig. 12. Jacques Callot, The Peasants Revolt, no. 17 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.369.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

ID: 05102_12
Caption: Fig. 12. Jacques Callot, The Peasants Revolt, no. 17 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.369.
Author: Katie Hornstein
Page Number: 43
Date: 2005-2006
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Filename: 05102_12
Volume: 16

Fig. 13. Jacques Callot, Distribution of Rewards, no. 18 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.370.; Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Filename: 05102_13
Volume: 16
Date: 2005-2006
Article Title: Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre
Author: Katie Hornstein
Page Number: 45
ID: 05102_13
Caption: Fig. 13. Jacques Callot, Distribution of Rewards, no. 18 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.370.

Fig. 1. Eugène Atget, Worker’s Interior, Rue de Romainville (Intérieur ouvrier, rue de Romainville), image from page 28 of the album Intérieurs Parisiens. This version is one photograph of a portfolio of 20 printed by Berenice Abbott from glass negatives made by Atget. Gold-toned gelatin silverprint, University of Michigan Museum of Art, 1974/1.109.; Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

ID: 05103_01
Caption: Fig. 1. Eugène Atget, Worker’s Interior, Rue de Romainville (Intérieur ouvrier, rue de Romainville), image from page 28 of the album Intérieurs Parisiens. This version is one photograph of a portfolio of 20 printed by Berenice Abbott from glass negatives made by Atget. Gold-toned gelatin silverprint, University of Michigan Museum of Art, 1974/1.109.
Author: Katie Hartsough Brion
Page Number: 49
Date: 2005-2006
Article Title: Eugène Atget and the Fin de Siècle Interior: Revelatory Excess
Volume: 16
Filename: 05103_01

Fig. 2. Eugène Atget, Interior of a Dramatic Artist, Rue Vavin (Intérieur d’un artiste dramatique, rue Vavin), 1910, photograph (printed on albumin paper) inset into the first page of the Musée Carnavalet’s version of the album Intérieurs Parisiens.; Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Citation: © Photothèque des musées de la ville de Paris / Cliché inconnu.
Author: Katie Hartsough Brion
Page Number: 61
Caption: Fig. 2. Eugène Atget, Interior of a Dramatic Artist, Rue Vavin (Intérieur d’un artiste dramatique, rue Vavin), 1910, photograph (printed on albumin paper) inset into the first page of the Musée Carnavalet’s version of the album Intérieurs Parisiens.
ID: 05103_02
Volume: 16
Filename: 05103_02
Article Title: Eugène Atget and the Fin de Siècle Interior: Revelatory Excess
Date: 2005-2006

Fig. 3. Eugène Atget, Interior of Mr. R, Dramatic Artist, Rue Vavin (Intérieur de Monsieur R, artiste dramatique, rue Vavin), 1910, page 3 of the album. ; Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Author: Katie Hartsough Brion
Page Number: 63
Citation: © Photothèque des musées de la ville de Paris / Cliché Joffre.
ID: 05103_03
Caption: Fig. 3. Eugène Atget, Interior of Mr. R, Dramatic Artist, Rue Vavin (Intérieur de Monsieur R, artiste dramatique, rue Vavin), 1910, page 3 of the album.
Volume: 16
Filename: 05103_03
Date: 2005-2006
Article Title: Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Fig. 4. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 39 of the album.; Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Volume: 16
Filename: 05103_04
Date: 2005-2006
Article Title: Eugène Atget and the Fin de Siècle Interior: Revelatory Excess
Author: Katie Hartsough Brion
Page Number: 65
Citation: © Photothèque des musées de la ville de Paris / Cliché Joffre.
ID: 05103_04
Caption: Fig. 4. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 39 of the album.

Fig. 5. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 41 of the album.; Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Page Number: 66
Author: Katie Hartsough Brion
Citation: © Photothèque des musées de la ville de Paris / Cliché Joffre.
ID: 05103_05
Caption: Fig. 5. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 41 of the album.
Volume: 16
Filename: 05103_05
Date: 2005-2006
Article Title: Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Fig. 6. Eugène Atget, The Living Room of Mrs. C, Hatmaker, Place St. André des Arts (Le Salon de Madame C, Modiste, Place St André des arts), 1910, page 17 of the album.; Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Filename: 05103_06
Volume: 16
Article Title: Eugène Atget and the Fin de Siècle Interior: Revelatory Excess
Date: 2005-2006
Citation: © Photothèque des musées de la ville de Paris / Cliché Joffre.
Page Number: 68
Author: Katie Hartsough Brion
Caption: Fig. 6. Eugène Atget, The Living Room of Mrs. C, Hatmaker, Place St. André des Arts (Le Salon de Madame C, Modiste, Place St André des arts), 1910, page 17 of the album.
ID: 05103_06

Fig. 7. Dornac and Cie, Edouard Pailleron (from the series “Nos contemporains chez eux”), ca. 1890, photograph printed on albumen paper and mounted on cardboard. Bibliothèque nationale de France, Paris.; Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Caption: Fig. 7. Dornac and Cie, Edouard Pailleron (from the series “Nos contemporains chez eux”), ca. 1890, photograph printed on albumen paper and mounted on cardboard. Bibliothèque nationale de France, Paris.
ID: 05103_07
Author: Katie Hartsough Brion
Page Number: 70
Article Title: Eugène Atget and the Fin de Siècle Interior: Revelatory Excess
Date: 2005-2006
Volume: 16
Filename: 05103_07

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837; A Silver Stater from Metapontum, Italy, in the Kelsey Museum

Author: Lyra D. Monteiro
Page Number: 76
ID: 05104_01
Caption: Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837
Filename: 05104_01
Volume: 16
Date: 2005-2006
Article Title: A Silver Stater from Metapontum, Italy, in the Kelsey Museum

Red-figure fish-plate. Campania, Italy, late fourth century BCE. Fired clay, 5 ˙ 19.5 cm. Gift from W. Dennison, 1899, from the collection of Canon Giuseppe de Crisco, Kelsey Museum 1084; A Campanian Red-figure Fish-plate in the Kelsey Museum

Filename: 05105_01
Volume: 16
Date: 2005-2006
Article Title: A Campanian Red-figure Fish-plate in the Kelsey Museum
Page Number: 80
Author: Lori Khatchadourian
ID: 05105_01
Caption: Red-figure fish-plate. Campania, Italy, late fourth century BCE. Fired clay, 5 ˙ 19.5 cm. Gift from W. Dennison, 1899, from the collection of Canon Giuseppe de Crisco, Kelsey Museum 1084

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837; A Bronze Coin from Eleusis in the Kelsey Museum

ID: 05106_01
Caption: Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837
Page Number: 84
Author: Alexander Nagel
Date: 2005-2006
Article Title: A Bronze Coin from Eleusis in the Kelsey Museum
Filename: 05106_01
Volume: 16

Seleucia on the Tigris, Iraq, 143 BCE-70 CE. Head and bust: semidraped boy with jug. Terracotta with buff slip, 5.8 ˙ 5.0 cm. University of Michigan Excavations, Kelsey Museum 33701; Terracotta Figurine of a Boy with Jug in the Kelsey Museum

Filename: 05107_01
Volume: 16
Date: 2005-2006
Article Title: Terracotta Figurine of a Boy with Jug in the Kelsey Museum
Author: Hima B. Mallampati
Page Number: 88
ID: 05107_01
Caption: Seleucia on the Tigris, Iraq, 143 BCE-70 CE. Head and bust: semidraped boy with jug. Terracotta with buff slip, 5.8 ˙ 5.0 cm. University of Michigan Excavations, Kelsey Museum 33701

Egypt, first century BCE to first century CE. Mosaic glass inlay depicting the head of a fish. Glass inlay, L. 5.5 cm. Ruthven Collection, Kelsey Museum 1965.3.135; A Glass Fish-head Inlay in the Kelsey Museum

Date: 2005-2006
Article Title: A Glass Fish-head Inlay in the Kelsey Museum
Volume: 16
Filename: 05108_01
ID: 05108_01
Caption: Egypt, first century BCE to first century CE. Mosaic glass inlay depicting the head of a fish. Glass inlay, L. 5.5 cm. Ruthven Collection, Kelsey Museum 1965.3.135
Author: Lindsay Ambridge
Page Number: 92

North Africa, Roman period, late second or third century CE. Roman coarseware casserole. Burnt-orange clay, Diam. 15.7 cm; H. ca. 12 cm. Donated by Byron Count De Prorok in 1924, Kelsey Museum 7000; A Roman Coarseware Casserole in the Kelsey Museum

Volume: 16
Filename: 05109_01
Date: 2005-2006
Article Title: A Roman Coarseware Casserole in the Kelsey Museum
Author: R. James Cook
Page Number: 96
ID: 05109_01
Caption: North Africa, Roman period, late second or third century CE. Roman coarseware casserole. Burnt-orange clay, Diam. 15.7 cm; H. ca. 12 cm. Donated by Byron Count De Prorok in 1924, Kelsey Museum 7000

Carrie Mae Weems, American, born 1953. After Manet, from May Days Long Forgotten, 2002. C-print. Museum purchase made possible by the W. Hawkins Ferry Fund, 2004/2.3; Recent Museum of Art Acquisition: Historically Resonant Portrait by Photographer Carrie Mae Weems

Volume: 16
Filename: 05110_01
Date: 2005-2006
Article Title: Recent Museum of Art Acquisition: Historically Resonant Portrait by Photographer Carrie Mae Weems
Author: Kirsten Olds
Page Number: 100
ID: 05110_01
Caption: Carrie Mae Weems, American, born 1953. After Manet, from May Days Long Forgotten, 2002. C-print. Museum purchase made possible by the W. Hawkins Ferry Fund, 2004/2.3

Minagawa Gekka. Japanese, 1892-1987. Haori with flaming chrysanthemum design, ca. 1945-1950. Black damask silk with wax-resist patterns, hand-painted designs, and metallic thread embroidery. Gift of Howard and Patricia Yamaguchi, 2005/1.351; Recent Museum of Art Acquisition: Colorful Japanese Haori

Article Title: Recent Museum of Art Acquisition: Colorful Japanese Haori
Date: 2005-2006
Filename: 05111_01
Volume: 16
Caption: Minagawa Gekka. Japanese, 1892-1987. Haori with flaming chrysanthemum design, ca. 1945-1950. Black damask silk with wax-resist patterns, hand-painted designs, and metallic thread embroidery. Gift of Howard and Patricia Yamaguchi, 2005/1.351
ID: 05111_01
Page Number: 104
Author: Natsu Oyobe

Sir Lawrence Alma-Tadema. Dutch, 1836-1912. Vespasian hearing from one of his generals of the taking of Jerusalem by Titus, 1866. Oil on panel, 51 ˙ 38 cm. Museum purchase made possible with funds from the W. Hawkins Ferry Fund, 2004/2.143; Recent Museum of Art Acquisition: Oil Painting by Alma-Tadema

Page Number: 108
Author: Carole McNamara
Caption: Sir Lawrence Alma-Tadema. Dutch, 1836-1912. Vespasian hearing from one of his generals of the taking of Jerusalem by Titus, 1866. Oil on panel, 51 ˙ 38 cm. Museum purchase made possible with funds from the W. Hawkins Ferry Fund, 2004/2.143
ID: 05112_01
Volume: 16
Filename: 05112_01
Article Title: Recent Museum of Art Acquisition: Oil Painting by Alma-Tadema
Date: 2005-2006

Lion-faced tomb guardian. 三彩陶獅子頭鎮墓獸　陶　中國中原　盛唐　館藏品. North central China, Tang dynasty (618–907), early 8th century. Earthenware with sancai (tri-color) glaze in amber and brown (both iron oxide) and green (copper oxide), 70 × 24.13 × 6.03 cm. Gift of Jiu-Hwa Lo Upshur in memory of Mrs. Wei-Djen D. Lo, 2004/2.132.1; Recent Museum of Art Acquisition: Tang Dynasty Tomb Sculpture

Author: Maribeth Graybill
Page Number: 112
Caption: Lion-faced tomb guardian. 三彩陶獅子頭鎮墓獸　陶　中國中原　盛唐　館藏品. North central China, Tang dynasty (618–907), early 8th century. Earthenware with sancai (tri-color) glaze in amber and brown (both iron oxide) and green (copper oxide), 70 × 24.13 × 6.03 cm. Gift of Jiu-Hwa Lo Upshur in memory of Mrs. Wei-Djen D. Lo, 2004/2.132.1
ID: 05113_01
Filename: 05113_01
Volume: 16
Article Title: Recent Museum of Art Acquisition: Tang Dynasty Tomb Sculpture
Date: 2005-2006

Casts of Kudurru, modern. Plaster cast, 55.5 x 20.5 x 17.5 cm. Unknown source. KM 2004.3.1; Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

Date: 2005-2006
Article Title: Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology
Volume: 16
Filename: 05115_01
ID: 05115_01
Caption: Casts of Kudurru, modern. Plaster cast, 55.5 x 20.5 x 17.5 cm. Unknown source. KM 2004.3.1
Page Number: 116

Figurine of a woman, Parthian period. Clay, 6 x 4.5 x 2 cm. ; Seleucia, Iraq. University of Michigan Excavations. KM 2004.2.2; Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

Article Title: Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology
Date: 2005-2006
Filename: 05115_02
Volume: 16
Caption: Figurine of a woman, Parthian period. Clay, 6 x 4.5 x 2 cm.; Seleucia, Iraq. University of Michigan Excavations. KM 2004.2.2
ID: 05115_02
Page Number: 118

Cuneiform inscriptions, modern. Plaster casts, 58 x 50 x 10 cm each. Unknown source. KM 2004.3.3–4; Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

Filename: 05115_03
Volume: 16
Article Title: Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology
Date: 2005-2006
Page Number: 119
Caption: Cuneiform inscriptions, modern. Plaster casts, 58 x 50 x 10 cm each. Unknown source. KM 2004.3.3–4
ID: 05115_03

Katsukawa, Shunshô, Japanese, 1726–1792. A Scene from Act Two of The Treasury of Loyal Retainers, late 1770s. Color woodblock print, 26.3 x 19.6 cm. Museum purchase made possible by Mary Palmer, 2004/2.145; Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art

Caption: Katsukawa, Shunshô, Japanese, 1726–1792. A Scene from Act Two of The Treasury of Loyal Retainers, late 1770s. Color woodblock print, 26.3 x 19.6 cm. Museum purchase made possible by Mary Palmer, 2004/2.145
ID: 05116_01
Page Number: 120
Article Title: Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art
Date: 2005-2006
Filename: 05116_01
Volume: 16

Chicken-headed ewer, Southeast China, Zhejiang or Jiangsu Province, Eastern Jin period (317–420). Stoneware with black glaze, 17 x 13 x 12.6 cm. Gift of Ping and Zenobia Lee, 2005/2.93; Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art

Page Number: 122
ID: 05116_02
Caption: Chicken-headed ewer, Southeast China, Zhejiang or Jiangsu Province, Eastern Jin period (317–420). Stoneware with black glaze, 17 x 13 x 12.6 cm. Gift of Ping and Zenobia Lee, 2005/2.93
Filename: 05116_02
Volume: 16
Date: 2005-2006
Article Title: Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art

Shallow bowl with “flowing water” design, Neolithic Majiayao Culture, Majiayao Phase, 3200–2700 BCE. Earthenware with black slip painted designs, 33 x 13 cm. Gift of Jiu-Hwa Lo Upshur in memory of Mrs. Wei-Djen D. Lo, 2004/2.133; Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art

Volume: 16
Filename: 05116_03
Date: 2005-2006
Article Title: Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art
Page Number: 123
ID: 05116_03
Caption: Shallow bowl with “flowing water” design, Neolithic Majiayao Culture, Majiayao Phase, 3200–2700 BCE. Earthenware with black slip painted designs, 33 x 13 cm. Gift of Jiu-Hwa Lo Upshur in memory of Mrs. Wei-Djen D. Lo, 2004/2.133

Chihuly, Dale, American, born 1941. Soft Cylinder with Blanket Drawing, Cobalt Violet (Basket Series), 1988. Blown glass sculpture with white, black, and red-ochre pigments, 22 x 23 x 21.4 cm. Bequest of the Estate of David Caldwell Leedy, 2005/2.32; Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art

Page Number: 124
ID: 05116_04
Caption: Chihuly, Dale, American, born 1941. Soft Cylinder with Blanket Drawing, Cobalt Violet (Basket Series), 1988. Blown glass sculpture with white, black, and red-ochre pigments, 22 x 23 x 21.4 cm. Bequest of the Estate of David Caldwell Leedy, 2005/2.32
Volume: 16
Filename: 05116_04
Date: 2005-2006
Article Title: Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art

Vinckboons, David, Flemish, 1576–ca. 1632. Landscape, late 16th–early 17th century. Pen, ink, and brown and blue wash on laid paper, 30.48 x 41.91 cm. Gift of the Nathan T. Whitman Trust, 2004/2.17; Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art

Caption: Vinckboons, David, Flemish, 1576–ca. 1632. Landscape, late 16th–early 17th century. Pen, ink, and brown and blue wash on laid paper, 30.48 x 41.91 cm. Gift of the Nathan T. Whitman Trust, 2004/2.17
ID: 05116_05
Page Number: 127
Article Title: Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art
Date: 2005-2006
Filename: 05116_05
Volume: 16

Thai. Manuscript cabinet, 19th-early 20th century. Lacquered and gilt wood with appliquéd mirrors, 120.5 x 89.5 x 64 cm. Gift of Doris Duke’s Southeast Asian Art Collection, 2005/1.467; Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art

Article Title: Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art
Date: 2005-2006
Filename: 05116_06
Volume: 16
Caption: Thai. Manuscript cabinet, 19th-early 20th century. Lacquered and gilt wood with appliquéd mirrors, 120.5 x 89.5 x 64 cm. Gift of Doris Duke’s Southeast Asian Art Collection, 2005/1.467
ID: 05116_06
Page Number: 127

Dogancay, Burhan, Turkish, born 1929. Faschismus, 1997. ; Collage, acrylic, pencil, chalk, and sand on cardboard, 87.6 x 68.6 cm. Anonymous gift, 2005/2.64; Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art

Filename: 05116_07
Volume: 16
Date: 2005-2006
Article Title: Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art
Page Number: 129
ID: 05116_07
Caption: Dogancay, Burhan, Turkish, born 1929. Faschismus, 1997.; Collage, acrylic, pencil, chalk, and sand on cardboard, 87.6 x 68.6 cm. Anonymous gift, 2005/2.64

Goicolea, Anthony, American, born 1971. Last Supper, 1999. Cibachrome print, 101.6 x 195.6 cm. Museum purchase made possible by the W. Hawkins Ferry Fund, 2004/2.9; Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art

Caption: Goicolea, Anthony, American, born 1971. Last Supper, 1999. Cibachrome print, 101.6 x 195.6 cm. Museum purchase made possible by the W. Hawkins Ferry Fund, 2004/2.9
ID: 05116_08
Page Number: 132
Article Title: Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art
Date: 2005-2006
Filename: 05116_08
Volume: 16

Calder, Alexander, American, 1898–1976. Young Girl and Her Train, ca. 1970. Color lithograph, 75.5 x 58.5 cm. Gift of Jane Turczyn and Mike Ennis in memory of Shirley and Lee Kollins, 2004/2.125; Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art

Date: 2005-2006
Article Title: Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art
Volume: 16
Filename: 05116_09
ID: 05116_09
Caption: Calder, Alexander, American, 1898–1976. Young Girl and Her Train, ca. 1970. Color lithograph, 75.5 x 58.5 cm. Gift of Jane Turczyn and Mike Ennis in memory of Shirley and Lee Kollins, 2004/2.125
Page Number: 134

Delacroix, Eugène, French, 1798–1863. Les Ecrevisses à Longchamps, 1822. Lithograph, 35.56 x 50.8 cm. Museum purchase made possible by the W. Hawkins Ferry Fund, 2004/2.140; Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art

Volume: 16
Filename: 05116_10
Date: 2005-2006
Article Title: Accessions to the Collection: July 2004–December 2005: The University of Michigan Museum of Art
Page Number: 136
ID: 05116_10
Caption: Delacroix, Eugène, French, 1798–1863. Les Ecrevisses à Longchamps, 1822. Lithograph, 35.56 x 50.8 cm. Museum purchase made possible by the W. Hawkins Ferry Fund, 2004/2.140

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