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Full Record: x-05101-und-05/05101_05

Fig. 5. Frederick J. Woodbridge, The main entablature of the city gate and the capital of a Corinthian pilaster, 1924, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

13

2005-2006

05101_05

16

05101_05

Full Record: x-05101-und-06/05101_06

Fig. 6. Frederick J. Woodbridge, Axonometric sketch of architectural members from the city gate, 1924, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

13

2005-2006

05101_06

16

05101_06

Full Record: x-05101-und-07/05101_07

Fig. 7. Frederick J. Woodbridge, Preliminary reconstruction of the city gate as a single-bayed arch, 1924, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

14

2005-2006

05101_07

16

05101_07

Full Record: x-05101-und-08/05101_08

Fig. 8. Frederick J. Woodbridge, Sketch of the elevation of the city gate and surrounding structures, 1924, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

15

2005-2006

05101_08

16

05101_08

Full Record: x-05101-und-09/05101_09

Fig. 9. Frederick J. Woodbridge, Restored plan of the city gate and surrounding structures, including the semicircular fountain to the north, 1924, ink on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

2005-2006

05101_09

16

05101_09

Full Record: x-05101-und-10/05101_10

Fig. 10. Frederick J. Woodbridge, Preliminary sketch of the city gate and surrounding structures, 1924, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

2005-2006

05101_10

16

05101_10

Full Record: x-05101-und-11/05101_11

Fig. 11. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, 1925, ink and wash on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

17

2005-2006

05101_11

16

05101_11

Full Record: x-05101-und-12/05101_12

Fig. 12. Frederick J. Woodbridge, Horrea Epagathiana et Epaphroditiana in Urbe Ostia, front elevation, 1924, ink and wash on paper.

Photographic Archives of the American Academy in Rome,

AAR.FW.A.Woodbridge.737.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

18

2005-2006

05101_12

16

05101_12

Full Record: x-05101-und-13/05101_13

Fig. 13. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, detail. 1925, ink and wash on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

19

2005-2006

05101_13

16

05101_13

Full Record: x-05101-und-14/05101_14

Fig. 14. Exhibition at the American Academy in Rome, 1925. Woodbridge’s Restored elevation of a triumphal arch at Antioch of Pisidia is displayed between the windows on the right wall.

Photographic Archives of the American Academy in Rome, AAR.FW.Exh.1925.819.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

20

2005-2006

05101_14

16

05101_14

Full Record: x-05101-und-15/05101_15

Fig. 15. Frederick J. Woodbridge, Restored elevation sketch of a bracket from the city gate, detail, showing the different decorative treatments of the two types of bracket discovered, 1924, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

21

2005-2006

05101_15

16

05101_15

Full Record: x-05101-und-16/05101_16

Fig. 16. Frederick J. Woodbridge, Full size profiles from Antioch of Pisidia, 1924, ink on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

22

2005-2006

05101_16

16

05101_16

Full Record: x-05101-und-17/05101_17

Fig. 17. Frederick J. Woodbridge, Detail of the mosaic pavement of the basilica, 1924, ink on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

22

2005-2006

05101_17

16

05101_17

Full Record: x-05101-und-18/05101_18

Fig. 18. Frederick J. Woodbridge, Restored elevation of the temple of Augustus and its surrounding colonnade, 1971, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

22

2005-2006

05101_18

16

05101_18

Full Record: x-05101-und-19/05101_19

Fig. 19. Frederick J. Woodbridge, Restored elevation of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

23

2005-2006

05101_19

16

05101_19

Full Record: x-05101-und-20/05101_20

Fig. 20. Frederick J. Woodbridge, Restored plan and section of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

Kelsey Museum Archives

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

24

2005-2006

05101_20

16

05101_20

Full Record: x-05101-und-21/05101_21

Fig. 21. George R. Swain, Stone pavement of the Tiberia Platea and the adjacent staircase after excavation in 1924.

Kelsey Museum Archives, 7.1113.

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

25

2005-2006

05101_21

16

05101_21

Full Record: x-05102-und-01/05102_01

Fig. 1. Jacques Callot, Enlisting of the Troops, no. 2 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.355.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

29

2005-2006

05102_01

16

05102_01

Full Record: x-05102-und-02/05102_02

Fig. 2. Jacques Callot, The Battle, no. 3 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.356.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

36

2005-2006

05102_02

16

05102_02

Full Record: x-05102-und-03/05102_03

Fig. 3. Jacques Callot, The Plundering, no. 4 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.357.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

36

2005-2006

05102_03

16

05102_03

Full Record: x-05102-und-04/05102_04

Fig. 4. Jacques Callot, Plundering of a Farm, no. 5 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.358.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

37

2005-2006

05102_04

16

05102_04

Full Record: x-05102-und-05/05102_05

Fig. 5. Detail of fig. 4.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

37

2005-2006

05102_05

16

05102_05

Full Record: x-05102-und-06/05102_06

Fig. 6. Jacques Callot, Destruction of a Monastery, no. 6 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.371.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

39

2005-2006

05102_06

16

05102_06

Full Record: x-05102-und-07/05102_07

Fig. 7. Jacques Callot, Attack of the Coach, no. 8 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.360.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

39

2005-2006

05102_07

16

05102_07

Full Record: x-05102-und-08/05102_08

Fig. 8. Jacques Callot, The Strappado, no. 10 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.362.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

41

2005-2006

05102_08

16

05102_08

Full Record: x-05102-und-09/05102_09

Fig. 9. Jacques Callot, The Hangman’s Tree, no. 11 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.363.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

41

2005-2006

05102_09

16

05102_09

Full Record: x-05102-und-10/05102_10

Fig. 10. Jacques Callot, The Hospital, no. 15 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.367.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

42

2005-2006

05102_10

16

05102_10

Full Record: x-05102-und-11/05102_11

Fig. 11. Jacques Callot, Dying by the Roadside, no. 16 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.368.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

43

2005-2006

05102_11

16

05102_11

Full Record: x-05102-und-12/05102_12

Fig. 12. Jacques Callot, The Peasants Revolt, no. 17 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.369.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

43

2005-2006

05102_12

16

05102_12

Full Record: x-05102-und-13/05102_13

Fig. 13. Jacques Callot, Distribution of Rewards, no. 18 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.370.

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

45

2005-2006

05102_13

16

05102_13

Full Record: x-05103-und-01/05103_01

Fig. 1. Eugène Atget, Worker’s Interior, Rue de Romainville (Intérieur ouvrier, rue de Romainville), image from page 28 of the album Intérieurs Parisiens. This version is one photograph of a portfolio of 20 printed by Berenice Abbott from glass negatives made by Atget. Gold-toned gelatin silverprint, University of Michigan Museum of Art, 1974/1.109.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Katie Hartsough Brion

49

2005-2006

05103_01

16

05103_01

Full Record: x-05103-und-02/05103_02

Fig. 2. Eugène Atget, Interior of a Dramatic Artist, Rue Vavin (Intérieur d’un artiste dramatique, rue Vavin), 1910, photograph (printed on albumin paper) inset into the first page of the Musée Carnavalet’s version of the album Intérieurs Parisiens.

© Photothèque des musées de la ville de Paris / Cliché inconnu.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Katie Hartsough Brion

61

2005-2006

05103_02

16

05103_02

Full Record: x-05103-und-03/05103_03

Fig. 3. Eugène Atget, Interior of Mr. R, Dramatic Artist, Rue Vavin (Intérieur de Monsieur R, artiste dramatique, rue Vavin), 1910, page 3 of the album.

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Katie Hartsough Brion

63

2005-2006

05103_03

16

05103_03

Full Record: x-05103-und-04/05103_04

Fig. 4. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 39 of the album.

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Katie Hartsough Brion

65

2005-2006

05103_04

16

05103_04

Full Record: x-05103-und-05/05103_05

Fig. 5. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 41 of the album.

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Katie Hartsough Brion

66

2005-2006

05103_05

16

05103_05

Full Record: x-05103-und-06/05103_06

Fig. 6. Eugène Atget, The Living Room of Mrs. C, Hatmaker, Place St. André des Arts (Le Salon de Madame C, Modiste, Place St André des arts), 1910, page 17 of the album.

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Katie Hartsough Brion

68

2005-2006

05103_06

16

05103_06

Full Record: x-05103-und-07/05103_07

Fig. 7. Dornac and Cie, Edouard Pailleron (from the series “Nos contemporains chez eux”), ca. 1890, photograph printed on albumen paper and mounted on cardboard. Bibliothèque nationale de France, Paris.

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Katie Hartsough Brion

70

2005-2006

05103_07

16

05103_07

Full Record: x-05104-und-01/05104_01

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

A Silver Stater from Metapontum, Italy, in the Kelsey Museum

Lyra D. Monteiro

76

2005-2006

05104_01

16

05104_01

Full Record: x-05105-und-01/05105_01

Red-figure fish-plate. Campania, Italy, late fourth century BCE. Fired clay, 5 ˙ 19.5 cm. Gift from W. Dennison, 1899, from the collection of Canon Giuseppe de Crisco, Kelsey Museum 1084

A Campanian Red-figure Fish-plate in the Kelsey Museum

Lori Khatchadourian

80

2005-2006

05105_01

16

05105_01

Full Record: x-05106-und-01/05106_01

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

A Bronze Coin from Eleusis in the Kelsey Museum

Alexander Nagel

84

2005-2006

05106_01

16

05106_01

Full Record: x-05107-und-01/05107_01

Seleucia on the Tigris, Iraq, 143 BCE-70 CE. Head and bust: semidraped boy with jug. Terracotta with buff slip, 5.8 ˙ 5.0 cm. University of Michigan Excavations, Kelsey Museum 33701

Terracotta Figurine of a Boy with Jug in the Kelsey Museum

Hima B. Mallampati

88

2005-2006

05107_01

16

05107_01

Full Record: x-05108-und-01/05108_01

Egypt, first century BCE to first century CE. Mosaic glass inlay depicting the head of a fish. Glass inlay, L. 5.5 cm. Ruthven Collection, Kelsey Museum 1965.3.135

A Glass Fish-head Inlay in the Kelsey Museum

Lindsay Ambridge

92

2005-2006

05108_01

16

05108_01

Full Record: x-05109-und-01/05109_01

North Africa, Roman period, late second or third century CE. Roman coarseware casserole. Burnt-orange clay, Diam. 15.7 cm; H. ca. 12 cm. Donated by Byron Count De Prorok in 1924, Kelsey Museum 7000

A Roman Coarseware Casserole in the Kelsey Museum

R. James Cook

96

2005-2006

05109_01

16

05109_01

Full Record: x-05110-und-01/05110_01

Carrie Mae Weems, American, born 1953. After Manet, from May Days Long Forgotten, 2002. C-print. Museum purchase made possible by the W. Hawkins Ferry Fund, 2004/2.3

Recent Museum of Art Acquisition: Historically Resonant Portrait by Photographer Carrie Mae Weems

Kirsten Olds

100

2005-2006

05110_01

16

05110_01

Full Record: x-05111-und-01/05111_01

Minagawa Gekka. Japanese, 1892-1987. Haori with flaming chrysanthemum design, ca. 1945-1950. Black damask silk with wax-resist patterns, hand-painted designs, and metallic thread embroidery. Gift of Howard and Patricia Yamaguchi, 2005/1.351

Recent Museum of Art Acquisition: Colorful Japanese Haori

Natsu Oyobe

104

2005-2006

05111_01

16

05111_01

Full Record: x-05112-und-01/05112_01

Sir Lawrence Alma-Tadema. Dutch, 1836-1912. Vespasian hearing from one of his generals of the taking of Jerusalem by Titus, 1866. Oil on panel, 51 ˙ 38 cm. Museum purchase made possible with funds from the W. Hawkins Ferry Fund, 2004/2.143

Recent Museum of Art Acquisition: Oil Painting by Alma-Tadema

Carole McNamara

108

2005-2006

05112_01

16

05112_01

Full Record: x-05113-und-01/05113_01

Lion-faced tomb guardian. 三彩陶獅子頭鎮墓獸 陶 中國中原 盛唐 館藏品. North central China, Tang dynasty (618–907), early 8th century. Earthenware with sancai (tri-color) glaze in amber and brown (both iron oxide) and green (copper oxide), 70 × 24.13 × 6.03 cm. Gift of Jiu-Hwa Lo Upshur in memory of Mrs. Wei-Djen D. Lo, 2004/2.132.1

Recent Museum of Art Acquisition: Tang Dynasty Tomb Sculpture

Maribeth Graybill

112

2005-2006

05113_01

16

05113_01

Full Record: x-05115-und-01/05115_01

Casts of Kudurru, modern. Plaster cast, 55.5 x 20.5 x 17.5 cm. Unknown source. KM 2004.3.1

Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

116

2005-2006

05115_01

16

05115_01

Full Record: x-05115-und-02/05115_02

Figurine of a woman, Parthian period. Clay, 6 x 4.5 x 2 cm.

Seleucia, Iraq. University of Michigan Excavations. KM 2004.2.2

Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

118

2005-2006

05115_02

16

05115_02

Full Record: x-05115-und-03/05115_03

Cuneiform inscriptions, modern. Plaster casts, 58 x 50 x 10 cm each. Unknown source. KM 2004.3.3–4

Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

119

2005-2006

05115_03

16

05115_03