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Check for portfolio Record Date Number ID Citation Caption Article Link Filename Page Number Article Title Author Volume Issue Title
Full Record: x-05101-und-05/05101_05

2005-2006

05101_05

Kelsey Museum Archives

Fig. 5. Frederick J. Woodbridge, The main entablature of the city gate and the capital of a Corinthian pilaster, 1924, pencil on paper.

05101_05

13

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05101-und-06/05101_06

2005-2006

05101_06

Kelsey Museum Archives

Fig. 6. Frederick J. Woodbridge, Axonometric sketch of architectural members from the city gate, 1924, pencil on paper.

05101_06

13

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05101-und-07/05101_07

2005-2006

05101_07

Kelsey Museum Archives

Fig. 7. Frederick J. Woodbridge, Preliminary reconstruction of the city gate as a single-bayed arch, 1924, pencil on paper.

05101_07

14

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05101-und-08/05101_08

2005-2006

05101_08

Kelsey Museum Archives

Fig. 8. Frederick J. Woodbridge, Sketch of the elevation of the city gate and surrounding structures, 1924, pencil on paper.

05101_08

15

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05101-und-09/05101_09

2005-2006

05101_09

Kelsey Museum Archives

Fig. 9. Frederick J. Woodbridge, Restored plan of the city gate and surrounding structures, including the semicircular fountain to the north, 1924, ink on paper.

05101_09

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05101-und-10/05101_10

2005-2006

05101_10

Kelsey Museum Archives

Fig. 10. Frederick J. Woodbridge, Preliminary sketch of the city gate and surrounding structures, 1924, pencil on paper.

05101_10

16

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05101-und-11/05101_11

2005-2006

05101_11

Kelsey Museum Archives

Fig. 11. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, 1925, ink and wash on paper.

05101_11

17

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05101-und-12/05101_12

2005-2006

05101_12

Photographic Archives of the American Academy in Rome,

AAR.FW.A.Woodbridge.737.

Fig. 12. Frederick J. Woodbridge, Horrea Epagathiana et Epaphroditiana in Urbe Ostia, front elevation, 1924, ink and wash on paper.

05101_12

18

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05101-und-13/05101_13

2005-2006

05101_13

Kelsey Museum Archives

Fig. 13. Frederick J. Woodbridge, Restored elevation of a triumphal arch at Antioch of Pisidia, detail. 1925, ink and wash on paper.

05101_13

19

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05101-und-14/05101_14

2005-2006

05101_14

Photographic Archives of the American Academy in Rome, AAR.FW.Exh.1925.819.

Fig. 14. Exhibition at the American Academy in Rome, 1925. Woodbridge’s Restored elevation of a triumphal arch at Antioch of Pisidia is displayed between the windows on the right wall.

05101_14

20

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05101-und-15/05101_15

2005-2006

05101_15

Kelsey Museum Archives

Fig. 15. Frederick J. Woodbridge, Restored elevation sketch of a bracket from the city gate, detail, showing the different decorative treatments of the two types of bracket discovered, 1924, pencil on paper.

05101_15

21

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05101-und-16/05101_16

2005-2006

05101_16

Kelsey Museum Archives

Fig. 16. Frederick J. Woodbridge, Full size profiles from Antioch of Pisidia, 1924, ink on paper.

05101_16

22

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05101-und-17/05101_17

2005-2006

05101_17

Kelsey Museum Archives

Fig. 17. Frederick J. Woodbridge, Detail of the mosaic pavement of the basilica, 1924, ink on paper.

05101_17

22

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05101-und-18/05101_18

2005-2006

05101_18

Kelsey Museum Archives

Fig. 18. Frederick J. Woodbridge, Restored elevation of the temple of Augustus and its surrounding colonnade, 1971, pencil on paper.

05101_18

22

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05101-und-19/05101_19

2005-2006

05101_19

Kelsey Museum Archives

Fig. 19. Frederick J. Woodbridge, Restored elevation of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

05101_19

23

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05101-und-20/05101_20

2005-2006

05101_20

Kelsey Museum Archives

Fig. 20. Frederick J. Woodbridge, Restored plan and section of the propylaea or “Arch of Augustus” and the adjacent stairway, 1971, pencil on paper.

05101_20

24

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05101-und-21/05101_21

2005-2006

05101_21

Kelsey Museum Archives, 7.1113.

Fig. 21. George R. Swain, Stone pavement of the Tiberia Platea and the adjacent staircase after excavation in 1924.

05101_21

25

Architectural Reconstruction Drawings of Pisidian Antioch by Frederick J. Woodbridge

Adrian Ossi

16

Full Record: x-05102-und-01/05102_01

2005-2006

05102_01

Fig. 1. Jacques Callot, Enlisting of the Troops, no. 2 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.355.

05102_01

29

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

16

Full Record: x-05102-und-02/05102_02

2005-2006

05102_02

Fig. 2. Jacques Callot, The Battle, no. 3 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.356.

05102_02

36

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

16

Full Record: x-05102-und-03/05102_03

2005-2006

05102_03

Fig. 3. Jacques Callot, The Plundering, no. 4 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.357.

05102_03

36

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

16

Full Record: x-05102-und-04/05102_04

2005-2006

05102_04

Fig. 4. Jacques Callot, Plundering of a Farm, no. 5 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.358.

05102_04

37

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

16

Full Record: x-05102-und-05/05102_05

2005-2006

05102_05

Fig. 5. Detail of fig. 4.

05102_05

37

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

16

Full Record: x-05102-und-06/05102_06

2005-2006

05102_06

Fig. 6. Jacques Callot, Destruction of a Monastery, no. 6 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.371.

05102_06

39

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

16

Full Record: x-05102-und-07/05102_07

2005-2006

05102_07

Fig. 7. Jacques Callot, Attack of the Coach, no. 8 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.360.

05102_07

39

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

16

Full Record: x-05102-und-08/05102_08

2005-2006

05102_08

Fig. 8. Jacques Callot, The Strappado, no. 10 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.362.

05102_08

41

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

16

Full Record: x-05102-und-09/05102_09

2005-2006

05102_09

Fig. 9. Jacques Callot, The Hangman’s Tree, no. 11 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.363.

05102_09

41

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

16

Full Record: x-05102-und-10/05102_10

2005-2006

05102_10

Fig. 10. Jacques Callot, The Hospital, no. 15 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.367.

05102_10

42

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

16

Full Record: x-05102-und-11/05102_11

2005-2006

05102_11

Fig. 11. Jacques Callot, Dying by the Roadside, no. 16 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.368.

05102_11

43

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

16

Full Record: x-05102-und-12/05102_12

2005-2006

05102_12

Fig. 12. Jacques Callot, The Peasants Revolt, no. 17 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.369.

05102_12

43

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

16

Full Record: x-05102-und-13/05102_13

2005-2006

05102_13

Fig. 13. Jacques Callot, Distribution of Rewards, no. 18 from Les Grandes Misères de la Guerre, 1633, etching. Anonymous Gift for The Paul Leroy Grigaut Memorial Collection, University of Michigan Museum of Art, 1972/2.370.

05102_13

45

Just Violence: Jacques Callot’s Grandes Misères et Malheurs de la Guerre

Katie Hornstein

16

Full Record: x-05103-und-01/05103_01

2005-2006

05103_01

Fig. 1. Eugène Atget, Worker’s Interior, Rue de Romainville (Intérieur ouvrier, rue de Romainville), image from page 28 of the album Intérieurs Parisiens. This version is one photograph of a portfolio of 20 printed by Berenice Abbott from glass negatives made by Atget. Gold-toned gelatin silverprint, University of Michigan Museum of Art, 1974/1.109.

05103_01

49

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Katie Hartsough Brion

16

Full Record: x-05103-und-02/05103_02

2005-2006

05103_02

© Photothèque des musées de la ville de Paris / Cliché inconnu.

Fig. 2. Eugène Atget, Interior of a Dramatic Artist, Rue Vavin (Intérieur d’un artiste dramatique, rue Vavin), 1910, photograph (printed on albumin paper) inset into the first page of the Musée Carnavalet’s version of the album Intérieurs Parisiens.

05103_02

61

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Katie Hartsough Brion

16

Full Record: x-05103-und-03/05103_03

2005-2006

05103_03

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Fig. 3. Eugène Atget, Interior of Mr. R, Dramatic Artist, Rue Vavin (Intérieur de Monsieur R, artiste dramatique, rue Vavin), 1910, page 3 of the album.

05103_03

63

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Katie Hartsough Brion

16

Full Record: x-05103-und-04/05103_04

2005-2006

05103_04

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Fig. 4. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 39 of the album.

05103_04

65

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Katie Hartsough Brion

16

Full Record: x-05103-und-05/05103_05

2005-2006

05103_05

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Fig. 5. Eugène Atget, Interior of Mr. A, Industrialist, Rue Lepic (Intérieur de Monsieur A, Industriel, rue Lepic), 1910, page 41 of the album.

05103_05

66

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Katie Hartsough Brion

16

Full Record: x-05103-und-06/05103_06

2005-2006

05103_06

© Photothèque des musées de la ville de Paris / Cliché Joffre.

Fig. 6. Eugène Atget, The Living Room of Mrs. C, Hatmaker, Place St. André des Arts (Le Salon de Madame C, Modiste, Place St André des arts), 1910, page 17 of the album.

05103_06

68

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Katie Hartsough Brion

16

Full Record: x-05103-und-07/05103_07

2005-2006

05103_07

Fig. 7. Dornac and Cie, Edouard Pailleron (from the series “Nos contemporains chez eux”), ca. 1890, photograph printed on albumen paper and mounted on cardboard. Bibliothèque nationale de France, Paris.

05103_07

70

Eugène Atget and the Fin de Siècle Interior: Revelatory Excess

Katie Hartsough Brion

16

Full Record: x-05104-und-01/05104_01

2005-2006

05104_01

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

05104_01

76

A Silver Stater from Metapontum, Italy, in the Kelsey Museum

Lyra D. Monteiro

16

Full Record: x-05105-und-01/05105_01

2005-2006

05105_01

Red-figure fish-plate. Campania, Italy, late fourth century BCE. Fired clay, 5 ˙ 19.5 cm. Gift from W. Dennison, 1899, from the collection of Canon Giuseppe de Crisco, Kelsey Museum 1084

05105_01

80

A Campanian Red-figure Fish-plate in the Kelsey Museum

Lori Khatchadourian

16

Full Record: x-05106-und-01/05106_01

2005-2006

05106_01

Eleusis, Greece, second half of the fourth century BCE. Coin. Bronze with dark greenish and brown patina, Diam. 1 cm; Thickness 0.2 cm; Weight 3.32 g. Gift from the family of Dr. Abram Richards (after 1884), Kelsey Museum 26837

05106_01

84

A Bronze Coin from Eleusis in the Kelsey Museum

Alexander Nagel

16

Full Record: x-05107-und-01/05107_01

2005-2006

05107_01

Seleucia on the Tigris, Iraq, 143 BCE-70 CE. Head and bust: semidraped boy with jug. Terracotta with buff slip, 5.8 ˙ 5.0 cm. University of Michigan Excavations, Kelsey Museum 33701

05107_01

88

Terracotta Figurine of a Boy with Jug in the Kelsey Museum

Hima B. Mallampati

16

Full Record: x-05108-und-01/05108_01

2005-2006

05108_01

Egypt, first century BCE to first century CE. Mosaic glass inlay depicting the head of a fish. Glass inlay, L. 5.5 cm. Ruthven Collection, Kelsey Museum 1965.3.135

05108_01

92

A Glass Fish-head Inlay in the Kelsey Museum

Lindsay Ambridge

16

Full Record: x-05109-und-01/05109_01

2005-2006

05109_01

North Africa, Roman period, late second or third century CE. Roman coarseware casserole. Burnt-orange clay, Diam. 15.7 cm; H. ca. 12 cm. Donated by Byron Count De Prorok in 1924, Kelsey Museum 7000

05109_01

96

A Roman Coarseware Casserole in the Kelsey Museum

R. James Cook

16

Full Record: x-05110-und-01/05110_01

2005-2006

05110_01

Carrie Mae Weems, American, born 1953. After Manet, from May Days Long Forgotten, 2002. C-print. Museum purchase made possible by the W. Hawkins Ferry Fund, 2004/2.3

05110_01

100

Recent Museum of Art Acquisition: Historically Resonant Portrait by Photographer Carrie Mae Weems

Kirsten Olds

16

Full Record: x-05111-und-01/05111_01

2005-2006

05111_01

Minagawa Gekka. Japanese, 1892-1987. Haori with flaming chrysanthemum design, ca. 1945-1950. Black damask silk with wax-resist patterns, hand-painted designs, and metallic thread embroidery. Gift of Howard and Patricia Yamaguchi, 2005/1.351

05111_01

104

Recent Museum of Art Acquisition: Colorful Japanese Haori

Natsu Oyobe

16

Full Record: x-05112-und-01/05112_01

2005-2006

05112_01

Sir Lawrence Alma-Tadema. Dutch, 1836-1912. Vespasian hearing from one of his generals of the taking of Jerusalem by Titus, 1866. Oil on panel, 51 ˙ 38 cm. Museum purchase made possible with funds from the W. Hawkins Ferry Fund, 2004/2.143

05112_01

108

Recent Museum of Art Acquisition: Oil Painting by Alma-Tadema

Carole McNamara

16

Full Record: x-05113-und-01/05113_01

2005-2006

05113_01

Lion-faced tomb guardian. 三彩陶獅子頭鎮墓獸 陶 中國中原 盛唐 館藏品. North central China, Tang dynasty (618–907), early 8th century. Earthenware with sancai (tri-color) glaze in amber and brown (both iron oxide) and green (copper oxide), 70 × 24.13 × 6.03 cm. Gift of Jiu-Hwa Lo Upshur in memory of Mrs. Wei-Djen D. Lo, 2004/2.132.1

05113_01

112

Recent Museum of Art Acquisition: Tang Dynasty Tomb Sculpture

Maribeth Graybill

16

Full Record: x-05115-und-01/05115_01

2005-2006

05115_01

Casts of Kudurru, modern. Plaster cast, 55.5 x 20.5 x 17.5 cm. Unknown source. KM 2004.3.1

05115_01

116

Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

16

Full Record: x-05115-und-02/05115_02

2005-2006

05115_02

Figurine of a woman, Parthian period. Clay, 6 x 4.5 x 2 cm.

Seleucia, Iraq. University of Michigan Excavations. KM 2004.2.2

05115_02

118

Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

16

Full Record: x-05115-und-03/05115_03

2005-2006

05115_03

Cuneiform inscriptions, modern. Plaster casts, 58 x 50 x 10 cm each. Unknown source. KM 2004.3.3–4

05115_03

119

Accessions to the Collection: July 2004–December 2005: The Kelsey Museum of Archaeology

16