Child’s sarcophagus, from the imperial cemetery beside the Church of the Holy Apostle: flying angels flanking Chi-Rho monogram encircled by laurel wreath, ca. 2nd half of 4th century to early 5th century
Chiswick House: Classical gardens flanking plaza before main [E. front] entrance, hedge wall with herm figure (design attributed to Michael Rysbrack), ca. 2nd quarter 18th century
Christ Among the Doctors (The Boy Jesus in the Temple); detail of roundel from the “Biblia Pauperum” (II) window, north aisle of the choir, Canterbury Cathedral, ca. late 12th century
Christ in Majesty with Symbols of the Four Evangelists; the Twelve Apostles; scenes of the Visitation, the Nativity, the Annunciation to the Shepherds, and the Adoration of the Magi; apse frescoes, Church of Santa Maria del Mur
Christ Pantokrator (Christ as Universal Ruler), enthroned between Emperor Constantine IX Monomachus and the Empress Zoe; mosaic from Hagia Sophia, 1028-1034
Chrysler Building, New York City: interior, lobby, detail of Art Deco elevator outer doors with stylized papyrus motif decor of exotic “Metyl-Wood” veneers by the Tyler Company, 1928-1930
Church of the Savior in Chora (Kariye Camii), Istanbul: exterior, central dome, view from E., orig. 11th century and after (rebuilt early 14th century)
Church of the Savior in Chora (Kariye Camii), Istanbul: exterior, detail of central dome, view from E., orig. 11th century and after (rebuilt early 14th century)
Cloister, Monreale Cathedral: Dives in hell, Lazarus in Abraham’s bosom, detail of sculpted capital [N.8, W. face], ca. 1175-1189 (attributed to “Master of the Dedication”)
Cloister, Monreale Cathedral: Expulsion of Adam and Eve from Paradise, detail of sculpted capital [E.20, S. face], ca. 1175-1189 (attributed to “Master of the Dedication”)
Cloister, Monreale Cathedral: Joseph relating his dream to Jacob and his Brethren, detail of sculpted capital [E.18, N. face], ca. 1175-1189 (attributed to “Master of the Dedication”)
Cloister, Monreale Cathedral: Three Holy Women and Angel at the tomb of Christ, detail of sculpted capital [E.24, N. face], ca. 1175-1189 (attributed to “Master of the Dedication”)
